Era trained at the National Ballet Academy in Ukraine in Vaganova style. Soon after, she joined Kharkov National Opera and Ballet theater company as a soloist, under directors Svetlana Koluvanova and Teodore Popescu. She was dancing mane roles in company’s repertoire such as Chosen Girl in “Le Sacre du printemps”, Lilac Fairy in “Sleeping Beauty” and more. After winning Second price at International Ballet Competition “Fouette Artek” in Russia, Era received scholarship to join Vienna Ballet Conservatory in the class of Professor Evelyn Terri. Right after she joined National Ballet of Austria company under director Renato Zanella, she won first place at Vienna International Ballet Competition, were she performed variations from the ballet Laurencia and Black Swan from Swan Lake.
Through her dance career, she was blessed to work with classical and contemporary choreographers such as Alla Rubina (Ukraine), Horst Muller (Germany), Vladimir Malakhov ( Austria), Renato Zanella ( Austria) and Robert Desrosiers ( Canada)
Era has been teaching and choreographing since she stopped dancing. She was invited as an international teacher in China, Ukraine, Canada and was artistic director of “New Era” Ballet school in Toronto, Canada and at Natalya Ballet school Ningbo, China. Later, her passion for Jazz music lead her to song write and sing in classical and Jazz styles as well as perform as an actress at Russian Drama theater in Toronto, Canada. She recorded two jazz albums and participated in Jazz Festivals and cultural events as a singer and dancer in Canada, USA and China.
JESÚS CORRALES Graduate of the National Ballet School of Cuba in 1987, joins the National Ballet of Cuba under the direction of Alicia Alonso. In 1992 Ann Marie D’angelo invited Corrales as a principal dancer with the Ballet de Monterrey. The same year he joined the Compañía Nacional de Danza, in Mexico, as a principal dancer, under the direction of Fernando Alonso. In 1998, he joined the Royal Winnipeg Ballet under the direction of Andres Lewis as principal dancer. In 2004, he joined Les Grands Ballets Canadiens in Montreal as first soloist. During his career, Corrales danced with Alicia Alonso, Josefina Mendez, Anne Marie D’Angelo, Ofelia Gonzales, Amparo Brito, Evelyn Hart and Anik Bissonnette in classical and contemporary repertoire. Numerous awards and international recognition punctuated the brilliant career of Jesús Corrales. The gold medal and the Vaslav Nijinsky award for best dancer were granted to him during the International Ballet Competition in Rio de Janeiro, Brazil in 1988 and the bronze medal of the IV International Competition in New York, in 1993. The following year, he won the gold medal at the National Competition in Guadalajara, Mexico. In 1995, Jesus Corrales won a Gemini Award for “Best Performance for his role in “Tale of the Magic Flute”. As a teacher, he has taught for ballet companies and schools such as LaLaLa Human Steps, BJM, Montreal ballet professional and École supérieure de ballet du Québec.
After graduating from the National Ballet School in 1981, Christine Cyr continued her studies under master teachers of the Paris Opera Ballet. Upon returning to Canada, she danced as a soloist for the Anna Wyman Dance Theatre in Vancouver and for the Atlantic Ballet Company in Halifax. From 1989 on, she worked training young dancers as a Guest Teacher for many schools and workshops. In 2008, she joined the staff of the École supérieure de ballet du Québec (ESBQ). During this time she rewrote the texts for the course of study of the college program and also redesigned for the ESBQ and the Pensionnat du Saint-Nom-de-Marie the annual reports which are submitted to the Minister of Education. In 2010, she accepted a position in the dance program of Collège Sainte-Anne. Following her studies in history at the University of Montréal, she obtained her Masters in Art Education (specializing in dance) at the Université du Québec à Montréal. Since 2000, she has held the position of President of the board of PPS Dance. Since 2015, she has been Artistic and Educational Director of Ballet Divertimento Montréal.
Nina is a dancer, teacher, and choreographer with roots in classical ballet and contemporary dance. She is also a singer/ songwriter/ musician and photographer. Born in Montreal, she performed, taught and toured in Europe with ‘La Troupe de Danse Pointépiénu.’She also danced with ‘Howard Richard Danse’ as well as in many multi-media events at prominent art galleriesas a solo-artist. Nina spent many years studying, researching and performing at Earthdance, improvisation sanctuary located in the forests of Massachusetts. Some of her main influences are Andrew Harwood, Martin Keogh and Susan Schell. During her 30 years of teaching contemporary dance and choreographing at Collège Jean-Eudes and Collège Sainte-Anne, Nina has passionately integrated her improvisational skills throughout her work, both in her classes and on stage.
Originally from Ottawa, Philippe-Alexandre Jacques is a graduate as well as past employee of the Royal Winnipeg Ballet School where he worked as a choreographer, teacher, and coordinator. His education additionally includes contemporary programs such as Springboard Danse Montréal and the Nederlands Dans Teatre Summer. Since then he has worked independently choreographing, dancing, and teaching in Sweden and Canada. He has choreographed for the likes of Ballet Victoria, the Royal Winnipeg Ballet, Faouzia, Sharing Dance, and the David Suzuki Blue Dot Tour. He has additionally choreographed for films such as Horizon, the official 360 degree film created in celebration of Canada 150, and dance films that have participated in film festivals worldwide. He has danced for the likes of the Royal Winnipeg Ballet and Q Dance.
Sylviane Junod had her professional career mainly in the United States where she danced in New York with the New York City Ballet, Kozlov and Friends and Karol Armitage, among others, as well as the Sarasota Ballet in Florida. After a career ending injury, she taught ballet for several years. Following this, she became certified in the Gymnastique sur table T.C.P. method where she could explore and deepen her knowledge of the body in movement from a physiological and anatomical point of view. Since 2005, Sylviane has taught classes in “Force and Flex” in Ballet Divertimento’s Dance-Study program.
Odette Lalonde began her performing career as a member of the Les Grands Ballets Canadiens corps de ballet. In 1974 she joined Ballets Jazz de Montréal as a principal dancer, where she remained until 1991. She has toured extensively, performing and holding master classes in more than 50 countries. She also directed the professional development program and served as pedagogical director of the École des Ballets Jazz de Montréal. She taught for several years at École Secondaire Pierre-Laporte where she also coordinated the dance program. She joined the Ballet Divertimento faculty in 2004.
Carol Lanctôt, AD, CSC (Associate Diploma, Cecchetti Society of Canada) has over 40 years of teaching experience: adult ballet, creative dance for children, exams in Cecchetti, and floor barre as well as performing in Ballet Ouest’s production of ”Nutcracker”.
Mme Lanctôt has studied with Seda Zaré, le centre professional de la danse de Montréal (diploma in Anatomie Pratique- Floor Barre); Natasha Izbinsky, Vaganova Method; and workshops at National Ballet School of Canada, École supérieure de ballet du Québec, Oleg Briansky (Bournonville, Vaganova & Balanchine methods).
She has taught at École supérieure de ballet du Québec, Conservatoire de la danse de Montréal, l’école FACE, Studio Bizz, Collège Jean-Eudes and Studio de ballet Carol Lanctôt. She joined Ballet Divertimento in 2017.
A member of BJM (Les Ballets Jazz de Montréal) for 17 years, Eric J. Miles has performed frequently throughout Canada, the United States, Europe, Asia and South America. He has worked with such world-renowned choreographers as Crystal Pite, Aszure Barton, Mia Michaels, Debra Brown (Cirque du Soleil), and Ulysses Dove (Alvin Ailey American Dance Theater). As a visiting professor, Eric J. Miles has taught master classes in contemporary jazz and modern techniques in Canada and abroad. His choreographic works have become part of the repertoire of major companies including BJM (Montreal), Arts Umbrella (Vancouver), Wright State University (Ohio), Vineland Regional Dance Company ( New Jersey ) and the Domaine Forget (Charlevoix) . He joined the Ballet Divertimento faculty in 2009.
In addition to the National Ballet of Canada, Owen Montague had an international career as principal dancer with such prestigious companies as Netherlands Dance Theatre, Aterballeto, Ballet BC and Alberta Ballet. He has received many awards including two bronze medals at the first International Ballet competition in Jackson Mississippi, USA and a silver medal at the International Ballet Competition in Moscow, USSR. Owen Montague also received a bursary from the Canada Arts Council and the Peter Dwyer Scholarship. For the last 15 years, Owen has worked as an independent artist and has explored his interest in choreography, photography and costume design for motion and artistic production. He returns to Canada after 6 years as an associate professor of the department of dance and music, at the Kobe Jogakuin College of Japan. Today, Owen Montague is Senior Professor of the Professional Program and Choreographer in Residence at Ballet Divertimento in Montreal.
Initially trained at the ÉSBQ, Marisa completed her studies at the Rosella Hightower International Dance Center in Monte Carlo before joining the “Jeune Ballet International” in France. Her eleven years dancing for Les Grands Ballets Candiens saw her artistry evolve in both classical and contemporary works. She retired in 2010 to pursue other aspects of dance. She worked notably as the ballet mistress for the internationally renowned “Lalala Human Steps” and was named assistant to the artistic director Gradimir Pankov of Les Grands Ballets for its Nutcracker productions.
Since this time, Marisa has devoted her time to teaching and obtained an AEC diploma in collaboration with the Cegep du Vieux-Montréal et the École Superieure de ballet du Québec. She is regularly invited as a guest teacher throughout Quebec and elsewhere. In the fall of 1028, Marisa joined Ballet Divertimento to teach in the Dance-study program.
Born in Laval, Daphne began dancing at a young age and went on to graduate from Ballet Divertimento’s professional program in 2019. During her studies she worked with well-known choreographers from Canada and Europe, such as Hélène Blackburn and Fabrice Maufrais and took part in two exchanges with the Royal Conservatoire of Scotland. In the fall of 2019, Daphne was admitted to the Université de Québec à Montreal (UQAM) into the teacher training program in dance. Her university degree will qualify her to teach students between the ages of 5 and 17 years of age. So, we are very happy Daphne is returning to us after her first year of studies to join the staff of Ballet Divertimento’s Youth Program.
Originally from Houston, Texas, Zack Tang holds a diploma from The High School for Performing and Visual Arts (07). Upon receiving his BFA from The Juilliard School, under the direction of Lawrence Rhodes, Zack won the Hector Zaraspe Prize for choreography. He has worked with choreographers Victor Quijada, Peter Chu, Alexander Ekman, Stijn Celis, Larry Kegwin, Mark Morris, and Darrell Grand Moltrie, Andrew Skeels, and has performed works by José Limón, Anthony Tudor, Martha Graham, Paul Taylor, and Bronislava Nijinska. In 2012, Zack was listed in Dance Magazine’s “Top 25 to Watch”. Before joining RUBBERBANDance Group, he spent two years with Alonzo King’s LINES Ballet. During his time in Montreal, Zack has been casted as a guest artist for events and advertisements for Cirque du Soleil, Cirque Eloize, Street Parade, Aldo, Running Leap Pictures, and Andrew Skeels. This is Zack’s sixth season with RUBBERBANDance Group.
Originally from Lac-St-Jean, Émilie made her debut at Le Prisme Culturel dance school. She continued her training at the Royal Winnipeg Ballet School and graduated from the three year professional program at Ballet Divertimento. Emilie trained with the Louise Bédard Danse company, she then worked for various independent choreographers from the contemporary world as well as dancing for Jean Léger for productions with the Opéra de Québec and the Opéra Lyra Ottawa. She then joined Jose Navas / Compagnie Flak and toured in works of the company in Quebec, Ottawa, Belgium, Germany and Holland, in addition to participating in the short film ORA with the ONF. She also collaborates with Ghislaine Doté’s VirtuoDanse company and with whom she performed works in Montreal, Toronto and England. Along with her career as an interpreter, Émilie has been teaching dance in various dance schools since 2006. She is also passionate about the practice of yoga and has accumulated more than 900 hours of training in yoga teaching. She enjoys sharing her passion for movement and the desire to encourage self-expression and well-being, whether through dance or yoga.
Victoria Yakobov earned a ballet degree in Baku, Azerbaijan and subsequently obtained an undergraduate degree in teaching the French language. In a career that has spanned more than 30 years, she has performed with Azerbaijan State Theatre Opera and Ballet Company, and the Azerbaijan National Ballet. She went on to teach ballet in Russia and Israel. A highly experienced teacher, she has helped shape the careers of ballet performers at all levels and has taught at Ballet Divertimento since September 2003.
Professional dancer, choreographer and teacher for over 15 years, Kristen Cere has spent most of her career working in Europe with companies such as the Netherlands Dance Theater, the Graz Opera Ballet and choreographers from all over the world including Ohad Naharin, Jiri Kylian, Alexander Ekman, Paul Lightfoot and Sol Leon.
Over the past years she has given workshops and taught classes in contemporary dance, choreography, floor work and improvisation in Europe and Canada. She presently teaches for Ballet Divertimento and le College Sainte-Anne.
After many years studying Ballet, Chantal discovered the Humphrey Limón principles in the 90s. She has taught modern dance based on those principles since 1997. She attended her first Limón workshop for teachers in NY in 2009. Deeply involved in the professional dance milieu in Montreal, she continues to deepen her understanding and the teaching of the Limón Technique at the Limón Institute (NY) on a regular basis. Every year since 2013, she has hosted the renowned « Limón workshop for teachers » in Montreal.
Chantal teaches at L’Espace du Mouvement where she acts also as artistic and general director, as well as at Collège Jean-Eudes (Option danse). She is a guest teacher and rehearsal director, for many private schools and professional companies (École Nationale de Cirque, Compagnie Aurée Danse Création, compagnie Zogma). She has worked throughout her career with many dance professionals, most notably: Alan Danielson (Limón Institute, NY), Roxane D’Orléans Juste (Limón Dance Cie, NY), Darryl Tracy (Toronto), Marc Boivin (Montreal), Priscilla Guy (Montreal) et Manuel Roque (Montreal).
Fabrice trained at the Paris Opera Ballet School. He danced with the Nantes Opera Ballet and Scottish Ballet where he danced a wide range of soloist and principal roles from the classical and contemporary repertoire.
Fabrice originally taught at the Dance School of Scotland and at the English National Ballet School. This academic year he joined the Royal Conservatoire of Scotland faculty after spending the past 10 years in Canada as the pedagogical director of the École Supérieure de Ballet du Quebec. He has also worked internationally as a guest teacher in Japan, Australia and France.
He was presented with the Dame Beryl Grey Award in 1998 by the Royal Academy of Dance through gaining the highest mark in the RAD teaching qualification.
Amélie Rajotte holds a degree in choreography from the Conservatoire National de Région de Grenoble in France. She then went on to perform with many leading choreographers, dancers and teachers in Paris. In 2006 she obtained a Diplôme d’État (state qualification) in contemporary dance pedagogy from the CEFEDEM, Normandy. She is trained in Laban movement analysis and Bartenieff fundamentals, and studied experiential anatomy with Trisha Bauman at the Centre National de la danse de Pantin in Paris. In Quebec she studied choreography at UQAM. Amélie has taught at Ballet Divertimento and Collège de Montréal since 2007 while also pursuing a career as a dancer, performer and choreographer.
Neil Sochasky discovered contemporary dance via philosophy, and studied dance science at York University under Dr. Donna Krasnow MSc PhD. Immersing himself in anatomy and somatic studies, he developed uncommon abilities for analysis and synthesis which have enabled him to overcome major injuries and pursue parallel careers in multiple fields. His approach to technique applies to classical, modern and contemporary dance, and artists often call upon him to resolve persistent injuries. He has taught anatomy at the École de danse contemporaine de Montréal and at the École supérieure de ballet du Québec.
Michael Watts is an international artist based in Montreal who’s worked as a dancer, choreographer and artistic coach. A former soccer player; he started his independent learning in Toronto and quickly moved to Montreal to continue training in different contemporary forms of movement, including forms of floorwork and improvisation. He toured internationally with Dave St.Pierre, Sidi Larbi Cherkaoui, T.r.a.s.h. Dance/Performance Group, Dana Gingras, and also performed locally for Dorian Nuskind-Oder. Along with his career path as a dancer and choreographer he has been a guest teacher internationally and within Canada, notably at the Royal Conservatoire Antwerp, l’École Supérieur de Ballet du Québec, Ballet Divertimento, Training Society of Vancouver, Circuit-Est Centre Chorégraphique, EnPiste, TransFormation Danse, Danse à la Carte and more. Michael has also become a new creative face in the Montreal circus scene, and is a regular collaborator with The National Circus School of Canada, and more recently with Les 7 Doigts de la Main. This year he will be presenting work at the CIRCa Festival of Contemporary Circus.
Salvador Chavajay began his piano studies at the Guatemala City Conservatory, and then went on to do his Master’s degree at the Stansilao Giamantonio Conservatory in Italy.
Since his arrival in Montréal he has worked with several teachers, most notably, Suzanne Goyette of the Conservatoire of Montreal, Manieli Pirzaded and Felipe Verdugo at the Université de Montréal.
In parallel with his studies, Salvador had participated as both pianist and as a principal actor in three short films selected for more that 50 festivals around the world. He was awarded “Best Actor” for the film “Anything For The Ones We Love at the Quetzalcoatl Indigenous International Film Festival in Mexico. At present, he is writing arrangements for classical piano and Rap in Tzutujil, his native mother tongue.
Dr. Dallaire has followed a double career as a pianist and as a clarinettist.
As a pianist, he has played for the most important studios in Montreal, Ottawa and Vancouver (Les Grands Ballets Canadiens, the ESDQ, the School of Ballet in Ottawa and for Kay Armstrong) He was also “on staff” at the School of Dance – Victorian College of the Arts in Melbourne, Australia.
As a clarinettist, he has been a member of several orchestras in Canada, Australia and Hungary, as well as Kuwait. Chamber music holds a special place in his heart and allows him to achieve his most personal expression. A successful teacher of wind instruments; his students have performed in many music festivals throughout Europe, Japan and Kuwait.
In the dance studio, his vast repertoire adds an extra quality of inspiration in movement and artistic expression.
Tom Mennier is a keyboardist, teacher, performer, arranger, composer and producer. The list of international artists he has played and recorded with includes Kate & Anna McGarrigle, Martha Wainwright, Emmylou Harris, Antony Hegarty, JC Hopkins, Amy Moses, Lou Reed and Laurie Anderson. He has worked with the National Theatre School of Canada, Segal Centre, Charlottetown Festival, Banff Centre and contributed to many film projects. He currently divides his time between recording, production, composition and teaching.